| The
mystery novels of Takagi Akimitsu |
| Title | Date originally published | eBook available? | In print? |
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| The Tattoo Murder Case | 1948 | No | Yes |
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| | Tatoo Murder Case (Shisei satsujin jiken), by Akimitsu Takagi, 1948. Translation by Deborah Boehm, 1998. This is a fairly traditional Western (and especially, British) murder mystery done, of course, in Japanese and set in Japan. The author makes numerous references to contemporary (pre- and post-WWII) Western novels, and often accuses the protagonist of thinking that life can be as interesting as those mysteries he's always reading. As with many mysteries, this one focusses on a particular cultural aspect, in this case tatooing. We are told that tatooing had become illegal by the time of post-war Japan, but that it was followed avidly by a small group of adherants. Also as is customary, we learn a lot about tatooing in the course of our read. Our protaginist is a young man who has survived the war (he fought in the Philippines) and is unsure of what he's going to end up doing. In the meantime, he lives with his brother, who is an established police officer. There are various other characters who populate the story, and then rather late, the "Boy Genius" is introduced. He solves the case in a matter of minutes. In the manner of these traditional mysteries, he then spends many pages telling what actually happened and how he figured it out, all completely impossible for you to have seen. It's a good read, even if you prefer later fiction. Many details of Japanese life are observed. There are some details of life with the American occupiers, but not as much as I would have expected. Some aspects of the translation bothered me, and upon investigation I saw that she uses the word 'adaptation' to describe her translation, which explains my occasional discomfort. A previous read had been remarkable for the Japanese-ness of the English, while this one tends to mask some Japanese qualities. This was Takagi's first novel, and it would be interesting to read something from much later in his life.
| | | Macabre, intriguing, seamy, engaging, revolting, and intricate are all adjectives I might use to describe this story. A troubled but beautiful young woman is murdered in her own home. Her body is hacked into six pieces and all but the torso are found in a bathroom whose door is locked from the inside so no clear exit is possible. Why is her torso missing? It surely has something to do with the fact that it was decorated with a full tattoo that some held to be the most exquisite in all of Japan.
The translation is by Deborah Boehm who does a nice job of converting idioms to those familiar to American readers. The dialogue often seems forced, but I do not think that is her fault. Still, I sense that there is something lost in this translation. There are some errors, such as when she decides to call the game of “Go” Japanese checkers. Also, I found it hard to believe that the original story had them playing a “quick” game of Go having seen my grandfather and uncle play this game into the wee hours of the morning. Go makes chess seem like child’s play.
I found this mystery interesting for one major personal reason. It is set in Tokyo in 1947, right after the war and the year I was born there. The city is still a mess. Tokyo had been all but carpet bombed by U. S. bombers in the latter part of the war and what recovery had occurred by then was small. Everyone in the story was touched by the war and I mean touched in the worst possible ways. One gets the sense that the citizenry is still emerging from a daze as one who has been knocked unconscious feels. Yet they are embracing democratic reforms and that includes the rights of those accused of crimes, even heinous ones such as this.
The chief investigator in this case is Daiyu Matsushita, but the story is told from the viewpoint of his younger brother, Kenzo, who is a PhD student studying forensic medicine. There is the usual array of suspects, clues and false leads typical of the genre. Still, for two such intelligent men, it seems that they are suspiciously inept. Takagi comes close to employing a deus ex machina in the form of a “boy genius,” Kyosuke Kamizu who is not even introduced until two-thirds through the book. Given the status of the older brother and the educational attainments of the latter, the introduction of a third “detective” who just happens also to be studying forensic medicine is very contrived. He manages to deduce conclusions about the motives of the suspects after playing a single board game with them, which means that he is also an excellent psychologist, as well as a brilliant mathematician, engineer, etc. Psychology is not nearly as exact a science as this boy genius makes it seem.
I will say that the climax of the story is a surprise followed by a clever twist, but in order to get there, there are too many other contrivances to force the plot to that point. For me, this subtracted considerably from the effect. Macabre, intriguing, seamy, engaging, revolting, intricate, and contrived are all adjectives I could use to describe this story, but I fear that the final word tends to deflate the impact of the rest of them.
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